Improvement in spectrum analyzer frequency resolution – now features a 4096-point frequency analyzer with zoom functionality Improved octave-based averaging in frequency analyzerĭoubled frequency resolution of the frequency analyserįixed GUI display bug when automating input gain levelĪdded mode without peak hold on VU meters in realtime analysis displayĪlmost complete redesign of the internal DSP coreĪdded 30 new filter prototypes, including non-resonating shelving filters, spectral balance filters, analog filters, and many othersįilters can now be set to process in stereo, mid, side, left or right modesĪutomatic filter shape generation + visualization when in “node link” filter mode to give a smooth, interpolated EQĪdded additional, more traditional controls (frequency, gain) to facilitate easier editing Modified GUI color schemes filter section control colors are now context dependent Slightly increased font size in almost all plugins for better readability on high-resolution screens Various GUI redraw CPU complexity reductions Based on the VST 2.4 specification to allow compatibility with virtually all host programsĪdded control and alt key modifiers to lock x/y-only movement for nodesĪdded snap to zero functionality for nodes Support of all sampling rates from 44.1 to 192 kHz With this plugin, common equalization tasks to manipulate warmth or brightness can be performed much more efficient than with common equalizers involving many controls that require manipulation. TB EZQ consists of a static implementation of their results with fixed descriptors. More information can be found in their paper. These descriptive labels can subsequently be placed onto a 2-dimensional space, in which each point represents a certain amount of 'warmth', 'darkness', and 'brightness'. They developed a method to automatically map common equalization manipulations involving multiple equalizer controls onto descriptive terms such as 'warm', 'dark' and 'bright'. TB EZQ is a zero-latency, VST implementation of the work by Andrew Sabin and Bryan Pardo from the interactive audio lab at Northwestern University, IL, USA.
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